BY ALICE MOLLON
I wanted to capture the chaos and grace of the Tour de France. The big messy jumble of colours and limbs and jerseys and bikes, that becomes a giant snake as it slips and hurtles through the country. I pictured it from the back – placing you there, in the race, not just looking on safely from the sidelines. As a backdrop, I half imagined, I half used some of the real routes in the race - creating a mountainous forest road that funnels and steers the cyclists towards an unseen finish line.
▪︎ Exclusive to Nine By Nine
▪︎ Only 50 limited edition prints per size
▪︎ High quality A2 or A3 archival Giclée print
▪︎ 210gsm Hahnemühle matt-coated paper
▪︎ Includes signed certificate of authenticity
Free UK delivery over £50 / Worldwide shipping available
▪︎ 3-5 working days for prints
▪︎ 5-8 working days for print + frame
Hand crafted frames
We've partnered with one of the UK's leading art framers to bring you custom made, beautifully crafted frames for your new print. All frames are custom made here in the UK using new technology and old school craftsmanship. These high quality, totally custom frames will last a lifetime.
Your frame comes with Clarity+ glazing. Although this material is more expensive than glass, it's used in your frame because it offers superior UV protection, is far safer and is beautifully clear.
Backing & Fixings
Your frame arrives ready to hang, with a backing board and hanging kit.
Our supplier is recognised by the Fine Art Trade Guild. All custom made frames have tightly pinned corners, contain crystal clear Clarity+ glazing and are made from precision cut real wood.
Made to order
Every product is individually produced in England, allow
3-5 days for delivery and a little longer for framed prints.
All of our prints are produced using an archival Giclée method on 210gsm Hahnemühle matt paper.
All artists receive a fair commission on every print sold which helps them to keep doing what they do best.
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You can purchase through Paypal, Apple Pay or any major credit card. Payments are all SSL encrypted.
We offer returns on any items that are damaged in transit. Just get in touch with us as soon as possible.
Hello, I’m Alice. A French-born, London-based Illustrator (and occasional gif-maker). I create bright and bold digital illustrations for all sorts of briefs and clients, from The New York Times and TED, to teeny little not-yet-known startups. My work is often people based, and relatively simple - I like to distill complex ideas into easy-to-understand, joyful images.
Tell us a fun fact about you I was recently almost trampled by elephants.
How did you get into illustration? I studied Fine Art at University but when I finished, I wasn’t really sure what I wanted to do. So I found myself working as a Customer Experience Manager at a London based startup. Design and illustration gradually crept into my role, and at the beginning of 2016 I started freelancing in illustration (and some design bits). I’ve been doing that ever since (with fewer design bits).
Who or what inspires you the most? It’s hard to pinpoint any one thing. Words and funny phrases, other artists and illustrators, children’s books, animations, observing the things and people around me. Often it’s just very ordinary, everyday things.
What does a typical day look like for you? I try to work a 9-6ish kind of day, most of the time from a little desk space in my London flat. I’ll start off by getting any admin-type things out of the way, before getting straight back into whatever project I’m currently working on. I work pretty solidly through the day - I’m always impatient to get to the finished thing. But I always try to take a proper lunch break, and to not stay at my desk too long into the evenings.
What do you do when you have a creative block? Step. Away. Think of other things. Do other things. Anything but sit and stare at a blank sheet of paper.
Top three clients you've worked with? That’s too hard - it’d be easier to name the worst but, I’m not going to do that!
What tools (digital or not!) do you use to create your work? I always begin by sketching out ideas in pencil and paper. Once I’m happy with a concept (or more realistically, once the client has approved a concept), I’ll scan it in and draw over it on the computer using Adobe Illustrator and a Wacom Cintiq tablet. I like to work digitally because you can make changes easily, which is a plus when doing client work. Outside of that, I love coloured pencils and paint markers (like Posca). Anything that creates a vibrant, pigmented mark.
What's your favourite resource for inspiration? The internet. Other artists. Children’s books.
Do you have any tips for artists thinking of doing freelance? Be prepared to spend a looot of time on emails, talking about pricing and contracts and timelines. And make sure that, every now and again, you take the time to step back and evaluate your body of work. It’s all too easy to get wrapped up in client requests, and end up pushed down a hole you don’t really want to be in.
What would your dream project be? Creating a children's book!
How can fans keep up-to-date with your work? Instagram
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